Narrative
28 tracks, none of them the DJ's own. Every writer on that tracklist is owed something.
Take a DJ who has just uploaded a 90-minute Radio 1 mix to Mixcloud. It's pulling serious numbers, 40,000 listens inside a week. The DJ is thinking about bookings and profile, not .
But a 90-minute set of other people's tracks is a royalty event for every writer in it, and for the DJ's own income if they played anything they wrote. Knowing who is owed what, and how it gets reported, is the whole job here.