UK training covers , and . The continent runs on a different rulebook, and client money moves through it whether you watch it or not.
A client with European repertoire earns through three mechanisms a UK-only education barely touches.
The societies and their rulebook. Every EU state has collecting societies (bodies that license rights in bulk and distribute the income: GEMA in Germany, SACEM in France). Since 2014 they have all operated under one EU law, the CRM Directive, which sets minimum standards for member rights, transparency and distribution speed. It is the closest thing the collection system has to a consumer-protection regime, and most UK advisers have never read a word of it.
Private copying levies. Most EU states add a charge to phones, tablets and blank media at the till and pay the proceeds to rights holders as compensation for lawful home copying. It's income with no play count behind it. The UK has no levy at all, which is exactly why UK-trained eyes don't look for it.
Article 17. Since the 2019 Directive, large user-upload platforms are directly liable in the EU for the music in their users' videos. That turned user-uploaded content from a claiming exercise into a licensing market.
All three pay only where the client's repertoire is represented in the territory, through the home society's network or directly. The job this module teaches: know each mechanism, route the client's rights into all of them, and know what leaks when you don't.